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Atlas - Breeze (Japanese Colored Edition) Artist_Death Of Heather 憂鬱,整張《QUIT QUIETLY》色彩因此偏向 monotone,灰濛濛的,彷彿把飛車式的繽紛混音披掛在三十七、八歲的男人骨架上。手法亦拋棄 intro、outro、skit、feature 等花俏設計,只留下扎實寫出的一首首歌:「我把體悟融入到創作裡,但這張沒有做得很用力,沒有變成一張概念專輯。我最後就是寫十一首

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憂鬱,整張《QUIT QUIETLY》色彩因此偏向 monotone,灰濛濛的,彷彿把飛車式的繽紛混音披掛在三十七、八歲的男人骨架上。手法亦拋棄 intro、outro、skit、feature 等花俏設計,只留下扎實寫出的一首首歌:「我把體悟融入到創作裡,但這張沒有做得很用力,沒有變成一張概念專輯。我最後就是寫十一首 pop songs,每一首都是『流行歌』。」

those would be his last)

a fusion musician active both in Japan and overseas

* Limited First Edition Pressing

They followed this up with “Bluetonic” and then “Slight Return”

Atlas - Breeze (Japanese Colored Edition) Artist_Death Of Heather 憂鬱,整張《QUIT QUIETLY》色彩因此偏向 monotone,灰濛濛的,彷彿把飛車式的繽紛混音披掛在三十七、八歲的男人骨架上。手法亦拋棄 intro、outro、skit、feature 等花俏設計,只留下扎實寫出的一首首歌:「我把體悟融入到創作裡,但這張沒有做得很用力,沒有變成一張概念專輯。我最後就是寫十一首Following "Halley Suisei" (1985) and "Excursion" (1986), their highly acclaimed third album "BREEZE," originally released in 1987, is now set for reissue in a special colored vinyl edition nearly 40 years later amid the global reevaluation of 1980s city pop. Still highly regarded both in Japan and abroad, the album features 10 tracks spanning top tier fusion, tropical sounds, new age, and electric boogie. The artwork has been faithfully reproduced

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