"Avenue de Boulogne, Pres de La Porte D'Auteuil" by Maxime Lalanne, Fr., (1827-1886) Woodcut whom Barrer studied with at

whom Barrer studied with at the Art Student's League

lovingly rendered and based upon his own seafaring travel adventures to places both foreign and domestic

by this as of yet sparsely documented graphic artist

The cream satin color chosen by Figura imparts a warm

Guerrero made a number of prints later in his career

"Avenue de Boulogne, Pres de La Porte D'Auteuil" by Maxime Lalanne, Fr., (1827-1886) Woodcut whom Barrer studied with atPart of the series "Souvenirs Artistique du Siege de Paris" Etching, 1879 81, 6 5 16 x 9 3 8, a proof before all letters, signed in the plate, on thick warm white wove paper with large margins, pencil notations and an old price of $1. 50 in blue ink in lower right corner, very faint water stain right margin. Maxime Lalanne's landmark book A Treatise on Etching, paved the way for theFrench Etching Revival in the mid nineteenth century which lead to the