Rooms We Made Safe pierre-louis-carlier psychologiques et émotionnelles qui divergent

psychologiques et émotionnelles qui divergent des discours normatifs et des schémas de vie imposés

à paraître chez RVB Books (2026) — ainsi que des matériaux audiovisuels

elles font apparaître des ombres qui défilent

la philosophe Susan Bordo affirmait que nous vivons dans un "empire des images" et

un projet éditorial singulier qui ra- conte en images les obsessions plus ou moins récurrentes des photographes contempo- rains

Rooms We Made Safe pierre-louis-carlier psychologiques et émotionnelles qui divergentMichella Bredahl grew up in a social housing district on the outskirts of Copenhagen with her single mother and her younger sister. At a young age the two sisters were confronted with their mother's addiction, which had a deep impact on them. In "Rooms We Made Safe" Bredahl revisits the terrain of her youth, once a dangerous space, and reimagines it as a powerful artistic expression. Like the writer's pen, the turns her camera into a powerful