Groundwork YOSHIYUKI KOHEI La membrane déjà poreuse qui

La membrane déjà poreuse qui semble séparer l’obscurité de la lumière

Ses photos abordent des questions telles que le sens de l'identité et la construction d'un soi qui dépasse les rôles sexués et leurs contraintes

tirées des archives du football et du sport

and frustrations of those who work with and for books

Contraint de choisir entre la mort et le travail

Groundwork YOSHIYUKI KOHEI La membrane déjà poreuse quiIn her sculptures and installations, Bjarland uses discarded objects and materials that she finds in the city, to investigate overlaps and encounters of the natural and the artificial, the living and the non living. On al most daily bike rides past the enormous trash piles in Amsterdam, Bjarland collects objects such as pieces of furniture, dead house plants, plastic flowers, garden accessories, bits of fences, cat crab posts, floor mobs, broken