The Marble Guillerm la coupe et le modelé)

la coupe et le modelé) à ce qu’il put en être alors de l’apparat

au charbon et à l’ocre et à sa redécouverte

but not cut

EXHAUST (signé) - L'œuvre examine la classe

- d'après un texte d'Annemarie Zethof

The Marble Guillerm la coupe et le modelé)In The Marble, Geeting pushes photography to the edge of absurdity and back again. Working at the intersection of commercial gloss and fashion fantasy, stock image neutrality, and the strangeness of amateur imagemaking, Geeting builds a visual language that is both highly polished and deeply confounding in its narrative. The result is a book as humorous as it is heartfeltan offering of staged sincerity wrapped in surreal detail. Geetings career began