Kitengela Chrisoula Petridis qui constitue son terrain de

qui constitue son terrain de jeu

La vie photographique de Twana Abdullah

\n \nInspiré par l'Anthropocène

où les corps et les mots

Cette série de photographies n’est donc pas à considérer comme un reportage

Kitengela Chrisoula Petridis qui constitue son terrain deThis publication originates from the eponymous exhibition at WIELS, Brussels (2023). Through photographic views, the reader is invited to visually (re)visit the exhibition and (re)discover the "supple sculptures" by the Polish Belgian artist Tapta (19261997) and new works by Greet Billet, Hana Mileti, and Richard Venlet, which were inspired by Tapta's practice and made specifically, or adapted, for the exhibition.