I Will Keep You In Good Company Salcedo d’émancipation et de fantastique

d’émancipation et de fantastique

the intimate space serves as a backdrop for a choreography organized into a rhythmic pattern

Dans cet essai visuel relevant de l'autofiction

le noir et blanc celui de l’Histoire et de la tragédie

ses airs de princesse sexy

I Will Keep You In Good Company Salcedo d’émancipation et de fantastiqueI Will Keep You in Good Company brings together pages and fragments from over twenty of Ghanaian Russian artist Liz Johnson Arturs personal workbooks handmade volumes she has kept since the early 1990s. Part diary, part experimental playground, these books are where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself. Each page is a tactile surface,